Jolene and Suicide

[Soundtrack for this post: Ray LaMontagne’s Trouble]

I saw Ray LaMontagne perform last week. He was awesome, as usual. He mentioned how he was on Elvis Costello’s TV show Spectacle. He said that Elvis said Allison was a song that still resonates with people, and that Elvis suggested that Jolene was a song of Ray’s that might have the same qualities. Ray then played Jolene and I came close to tearing up.

Jolene

Jolene is almost certainly in my High Fidelity -like “top five songs of all time,” and it has a shot at being #1 with a bullet. I’m obsessed with lyrics, so most of what affects my opinion of a song is what the words say. I love many of Ray’s songs, but there’s something about the storytelling quality of Jolene that really does it for me. Take Shelter as an example in contrast: a great song, a song I love and is Anne’s and my “song,” so to speak, I love it, it is beautiful, but I don’t see anything when I hear it. Jolene is different.

With Jolene I can see the coatless man, smoking his cigarettes. I can see his pain. As with many songs, I insert myself in the role of the protagonist. I am Jolene’s man. I can see the picture of Jolene holding a picture of me, it’s cracked and faded from spending so much time in the pocket of my blue jeans—I can see it in my filthy, cracked, and shaking hands. I can see myself and feel the pain of the man who has woken in the ditch, with booze in his hair and blood on his lips. I know exactly what he means when he says a man needs a nine-pound hammer or a woman like Jolene. It’s a magnificent song about love and loss. I love it so much I easily forgive the mispronunciation of Spokane, which is saying something.

Maybe it’s the mention of eastern Washington, or the drug use and boozing of what I assume is a blue collar man, or the name Ray, but the song reminds me of Raymond Carver and his stories of working class love, drug use, and drinking.

Something about it makes me want to be the strung-out drunk who wakes up in a ditch with booze in his hair and blood on his lips—something about the pain on display that can’t be ignored, a pain that shows up in such an obvious and devastating way. It’s a physical manifestation of feeling, even if AA would say what he’s trying to do is not feel. [n.1]

But of course I can’t be the Jolene man now. I have a wife and a kid. I can’t be coked out and passing out in ditches, coatless. I now have responsibilities that affect others. But I’ve felt that way for the last dozen years.

My parents lost a child in 1997, one of my sisters, and it was undoubtedly the hardest thing either of them have ever had to deal with. I determined that they, my mom in particular, could never handle another blow like that. Which means that I have to do what I can to stay alive, for them, and now for Carver too.

Suicide

I have no problem with suicide. I used to. I used to think that it was a cop-out, a way for the weak to avoid struggle. But I don’t feel that way anymore.

I am not a religious man, and am pretty dubious when it comes to any sort of afterlife. So if someone’s life sucks and causes him nothing but pain, I don’t see why he should be chastised for calling it quits a little early. Maybe that’s hard on the people that get left behind, but that’s their problem. Staying alive for the sake of others is a strange idea in at least one way: if you hate life and want to die, why do they so want you to live to suffer more pain? Can their wants be anything other than selfish? [n.2]

Regardless of what I said in that last paragraph, I am one who will always do what I can to live for others. I want to live for me too, but I also want to live for my family. The idea of my son growing up without his father is something that I can’t even think about without nearly gagging with disgust. And I am not willing to take responsibility for my parents losing another child.

I had a discussion with a psychiatrist a few weeks ago about suicide. I had explained to her how I had basically led a rather charmed life, loaded with opportunities (relatively). She asked why I thought I might be so unhappy considering that I just said I was lucky in the life department, and I responded, I shit you not, by saying “Well, people are complicated.” As if she needed to be told. I then went on to talk about David Foster Wallace.

Dave Wallace was a writer of massive acclaim and much (relative) celebrity. He was also wicked smart, to the extent where I have no problem conceding that he was way, way, way smarter than me, which is not something I concede very often. He also had a history of depression. Dave Wallace was famous, brilliant, incredibly talented, had a rather large cult-like following that undoubtedly included beautiful groupies who would do his every bidding, had a very desirable teaching gig at a fancy liberal arts college that required little more than he be himself, et cetera, et cetera. And in September of 2008 he hanged himself with a belt from his back porch. [n.3]

The psychiatrist’s question, which was undoubtedly asked more to see how I would respond rather than in an attempt to be unpuzzled, applies to Dave Wallace at least as much as it does to me (almost certainly much more so). I don’t think I have a better answer than “People are complicated.” Depression is complicated too.

Note 1: Or so I’ve been told.

Note 2: This is true, if it is at all, only when the suicide is well considered; a teenager blowing his brains out because a girlfriend dumped him is a different matter.

Note 3: In David Foster Wallace’s magnum opus, Infinite Jest, there’s a scene where one of the students at the tennis academy where much of the story takes place confesses his obsession with having his picture show up in tennis magazines. The sweat-licking [n.3a] guru to whom he is confessing basically ruins his dream by telling him that people who get that fame do not really enjoy it, and in the end their horror becomes a fear of the day when they no longer show up in magazines. Some have speculated that Wallace was working hard to surpass Infinite Jest but that he recognized there was a real chance that he never would. Need I elaborate?

Note 3a: Literally.